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- <text id=92TT1806>
- <title>
- Aug. 10, 1992: Reviews:Short Takes
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1992
- Aug. 10, 1992 The Doomsday Plan
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS, Page 69
- SHORT TAKES
- </hdr><body>
- <p>MUSIC: At the End, A Miss by Miles
- </p>
- <p> Although both rely on improvisation and solos, jazz and
- rap have never found much common ground. The great jazz
- trumpeter Miles Davis was in a recording studio trying to remedy
- this at the time he died last September. But the unfinished
- album, Doo-Bop, recorded with the rapper Easy Mo Bee, merely
- skims the rich possibilities of a synthesis. Mo Bee and Davis
- perform together on just three of the record's nine cuts. Even
- then, they do not unite. While Mo Bee's rapping is nimble and
- sharp, and Davis' muted horn hot and restless, the numbers have
- a slapped-together, disconnected feeling, like a long-distance
- correspondence between strangers. Jazz fans, like rap fans, tend
- to be purists. Both will be frustrated by this record.
- </p>
- <p>MUSIC: Private Journey
- </p>
- <p> The supple guitar riffs and fluid compositions of Pat
- Metheny are still the best evidence around that jazz-pop fusion
- works. But Secret Story is not just another eloquent
- instrumental statement. It is a "theme" album with a surprising
- subject: Pat Metheny. The tracks form an emotional though
- virtually wordless chronicle of his ill-fated romance with a
- Brazilian woman. Above the Treetops uses a sweet-voiced
- Cambodian women's choir to herald the excitement of new love.
- The intensity builds through the poignant Longest Summer (on
- which Metheny makes his piano debut). The wrenching finale, Not
- to Be Forgotten, won't be. And neither will Metheny's daring new
- venture into himself.
- </p>
- <p>CINEMA: Panic at First Bite
- </p>
- <p> Imagine that the last in a centuries-long line of vampire
- exterminators is an airhead Los Angeles adolescent. Imagine that
- her secret weapon against the children of the night is her "keen
- fashion sense." Imagine a good, cute actress named Kristy
- Swanson as Buffy the Vampire Slayer and a piquantly mixed cast
- that includes Luke Perry and Donald Sutherland. By now, you are
- perhaps dreaming that this summer's most pressing need--for
- a funny sleeper--has been fulfilled. Wrong. Or, as Buffy says,
- "Does the word duh mean anything to you?" It does to director
- Fran Rubel Kuzui, whose frenzied mistrust of her material is
- almost total. Somebody should have given her a garlic necklace--or a Miltown--and told her to chill out.
- </p>
- <p>VIDEO: A Cult Classic Resurfaces
- </p>
- <p> Phone rings, door chimes, in comes Original Cast Album:
- Company. At 10 one May Sunday morning in 1970, cinema verite
- filmmaker D.A. Pennebaker (Monterey Pop) took his camera into
- the studio to document the recording of Company, the witty,
- brittle musical that established Stephen Sondheim as Broadway's
- premier lyricist-composer. Pennebaker fashioned the joy and
- angst of the 18 1/2-hr. endeavor into a thrilling mini-musical
- in itself. Virtually unseen for two decades, the film is now
- available on video (RCA Victor). High points: Dean Jones
- earnestly attacking Being Alive, Elaine Stritch agonizing
- through The Ladies Who Lunch. As a good show should, the 53-min.
- video leaves its audience craving more.
- </p>
- <p>BOOKS: The Real Thing
- </p>
- <p> Existential thrillers are the UFOs of literature.
- Everybody has heard about them, but few have actually seen one.
- A. Alvarez's Day OF Atonement (Random House; $21) is the real
- thing: the story of the Constantines, a middle-aged couple with
- one friend too many. Tommy Apple dies under mysterious
- circumstances, leaving his property to Joe, whom he liked, and
- Judy, whom he loved. The estate turns out to be worth millions--some of it from drug sales. Moral and marital dilemmas,
- close-ups of traffic-jammed London, episodes with dealers and
- police provide enough suspense to fuel a dozen novels. It is
- unlikely that any could keep pace with the work of Alvarez,
- whose most famous book, The Savage God, was a study of suicide.
- This one examines homicide, with even more disturbing results.
- </p>
-
- </body></article>
- </text>
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